LUISINA EGIDI

BIO / CV

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    FORMACIÓN. Licenciada en Ciencias de la Educación (Univ Nac Rosario, Argentina), Especialista en Epistemologías (CLACSO, Brasil), Maestranda en Master en Enseñanza de Español: didáctica e investigación (Uni Nebrija, España), Diplomada en Pedagogía y Didáctica de español ELE (Inst. Caro y Cuervo, Unid. Andrés Bello, Colombia), Educadora cultural comunitaria (Min Cultura Nación, Argentina) y formación en Gestión cultural/ Industrias creativas (Min Cultura Sta. Fe, Arg).

    TRAYECTORIA EN DOCENCIA E INVESTIGACIÓN. Coordinadora de la Comunidad de aprendizaje ABEJAR desde hace más de 12 años. Tutora de la formación en Artes y Pedagogías de la Tierra. Experiencia pedagógica de más de 20 años presencial y en línea. Docente nativa y certificada de español ELE desde 2016 en institutos europeos y plataformas virtuales. Miembro del Grupo de estudio y debate Paulo Freire del Instituto Cervantes de Río de Janeiro (Brasil) desde 2023. Participante del Laboratorio de investigación y creación “Conventillo Tango, mujeres custodias de las orillas y otras yerbas”. Última ponencia: XXXI Congreso internacional de aprendizaje, Universidad de Utrecht, Países Bajos, julio 2024. Última publicación "BESTIA MALEZA. Buen Vivir / Buen Morir, Arte, Pedagogías, Naturaleza", en prensa.

    PERFOPOETISA, Artes Vivas. Proyecto artístico BESTIA MALEZA, intervenciones de naturaleza. Última presentación artística: Gathering Pedagogías de la Tierra, Verona, Italia, Octubre, 2024. Ultima formación: Residencia artística Transit Festival (Dinamarca, julio/agosto 2024) organizado por Red Magdalena Internacional “The Secret Room. Theatre-Women-Poetry” con Julia Varley (Odin Teatret). 

    2010-2011
    Classes with the actor and director Gustavo Maffei (Rosario, ARG). I presented perfopoetry in Cycles of Literature and Arts (Espiral Calypso) and in The First International Performance Rosario Meeting (CEC, Col. Umbrales, Rosario).
    I managed the performative-multimedia cycle "Maternity Blues, Mom is not going to return" (2011-2012) in different places in Rosario (La Pacheta, Jekyll & Hyde, TujManaj).

    2012-2015
    I joined the Sabina Beher Theater Company directed by Omar Serra Forner and participated in the laboratory of the play Layo presented in Alfred Jarry theater in 2012 (Rosario, ARG).
    I begin to carry out research/explorations around ritual/ancestral physical theater and theatrical anthropology.
    In Córdoba (ARG) I coordinated the Artistic Cartographies Workshop in Casona Dadá and Flora y Fauno Erotic Literature Laboratory (La Fábrica Cultural, 2013). I presented perfopoetry at the closing of the Poetry Festival (El Amparo, 2013) and in the Literature and Arts Cycle “Vidas de Miércoles” (Casa Babylon, 2014). I participated in art festivals in the mountains of Córdoba with live arts and performance art (2011-2015).
    In Rosario I continued to present perfopoetry in Literature and Arts Cycle (Col Edit “La Pulga Renga”, 2012) and in Cine a la Carta Cycle accompanying the musician Gabriela Segovia (2014).
    I attended Search and Improvement Course of the actor-actress of the Experimental School “El Rayo Misterioso” of Rosario ARG, directed by Aldo El-Jatib in Autumn, 2014 and 2015 with subjects taught by María de los Ángeles Oliver (Presence Methodology Stage, Expression and Acting Training, Bioenergetic Movement Training).
    I collaborated in the coordination of the first Performance Workshop “The body territory of the possible”, led by Alejandra Valdez (Accanto a te, 2015). Share performance poetry at the Rosario Poetry Slam (2015). I worked as a voice actress in the multimedia play “What remains only in your mind” by Alexis Perepelycia and Alejandra Valdés (CCPE, 2015)
    On my trips I took ancient belly dance classes and participated in ancient physical theater and earth dance.

    2016-2018
    In Rosario I presented perfopoetry in the Arts and Literature Cycle "A Cuatro Voces" (OUI, 2016).
    I complemented my training with Butoh and organic movement classes with Nadia Grisetti (2017), Yumiko Yoshioka (2018) and Rhea Volij (2018).
    Since 2017 I began to create and coordinate a workshops on physical-expressive practices and performative creations with ancestral roots, in different art spaces, and in events in different places: Casona Yiró (Primavera, 2017); "The Call of the Heart" Festival (Ramallo, Spring, 2017); Garden of Tao (Summer, 2018); Temperance (Fall, 2018); and I continue.

    2019 y 2020
    I attended acting and playwriting workshops coordinated by Carla Saccani.
    I taught Ancestral arts workshop at the 4th Encuentro Mujeres en la Floresta, Paraná Viejo Islands, Entre Ríos, Argentina.
    I participated in Cien Evitas with the play “Evita sueña”, playwright Mayra Sánchez, directed by Armando Dura and Carla Saccani, produced by Colectiva Mixta de Culuras (Teatro El Círculo, 2019, Rosario).
    I did FC-Bellydance®, rhythmic and slow ATS®, tribal fusion and dance with elements (faldeo and crotalos) dance training with Nadia Acosta/ Sister Studio® from 2019 to 2021 and with Julieta Maffia in 2019. I took dance classes from the India (classical technique and popular technique from the south and folklore from the north) with Micaela Muñoz and Georgina Ranzuglia in 2019-2020. I participated in dance scenes at theater-dance presentations in theaters and festivals/fairs.
    I acted in film pieces: the Short Film “Puente” by Dir. Marcela Belardo, 5 Manos Producciones for EPCTV and the Documentary “Now that they do see us” by Dir. Luisina Carafiocca for EPRA /UAI.
    I took singing tutoring with the composer Melani Melano (Argentina/Italy) and the private Initiation Workshop on Icaros singing techniques with the Mtro Gabriel Hollender (Córdoba/BsAs).
    I worked as a voice actress in artistic podcasts for the dissertation “Antiprincesas” by Belkis Cantero (UNR, 2019); presentation and improvisation of poetic texts by Alejandra Méndez in the ARTAS Conversation/Show Cycle (Feminist Collaboration of Performing Artists Rosario) and in the Creation act of the Human Rights and Gender Secretary, Univ Psicología, UNR.
    I began to present performancepoetry and live arts in events of the Rosario socio-environmental movement.
    I took the Butoh dance seminar by uruguayan performer Rasjid Cesar (2020). I took the Spiral Serpent training in Ritual Dance and Circle of Dance Studies and Practices and Ancient Traditions of the East and West directed by Saba Khandroma (Buenos Aires).
    I began, together with the dancer Luisina Tejerizo, the dramaturgy of a play and gypsy dances that was interrupted by the pandemic.

    2021-2022
    I participated in “La Otra Danza” festival organized by Proyecto Freedancer de Luisina Tejerizo with Perfodanza Baubo (Complejo Atlas, 2021). I presented a performative presentation “Habitando la planetariedad” (XR, Escalinatas Parque España, Summer, 2021). I coordinated the Cartographies of the BodyTerritory Workshop at the Río Feminista Network Meeting (Entre Ríos, 2022).
    In winter/spring of 2021 I taught Ancestral Performing Arts workshops at Casa del Ceibo, with the creation of participatory play in Earth key: “Beast Mother Nature” then Beast-Undergrowth. In the winter of 2022 I taught the Nature Theater Workshop for adults and children.
    Bestia Maleza received tutoring/advice in Costume Design, Staging and Lighting Design of FAER (Rosario Performing Arts Festival, 2022). I presented "The experience of Bestia Maleza de Comunidad Abejar" at the VI Congress of Postcolonial Studies "Travelling-postcolonial worlds. Aesthetics and performances of the Earth" (CLACSO, CABA, 2022).
    I presented a sequence of Ecstatic Perfodanzas at Casa del Ceibo (February, 2022). I began the dramaturgy of a work of gypsy dances and Lorca poetry together with the dancer Luisina Tejerizo.
    I studied Ritual Dances Diploma offered by Professor Gustavo Emilio Rosales from the Autonomous and Maldita La Otra Danza School, Mexico/Argentina (2022).

    2023-2024
    I taught Ancestral Performing Arts workshop at the I Creative Camp of M.A.F.I.A.S. (Indep Feminist Artists and Social Activists Movement) from Santa Fe Cap in San José del Rincón, Argentina.
    I opened an online and transdisciplinary seminar on “Ancestral Arts” on the ABEJAR platform, with tutorials and a laboratory for artistic projects in Earth key, which continues with face-to-face meetings. In the fall I began a cycle of artistic residencies in islands of the middle-lower Paraná River.
    I took Bellydance Fusion Dance classes with the dancer Florencia Benítez, (Studio Vinaya, CABA).
    I acted in the first pilot episode of the series “The river comes ringing” by Dir. Marcela Belardo, 5 Manos Producciones for EPCTV, Rosario.
    In spring I shared a workshop in Bariloche (Patagonia argentina) with Ancestral Performing Arts at Estación Araucanía.
    I attended the theoretical-practical residency on psycho-physical techniques of the actor/dancer actor “Trans-mision. Evocation actions”, organized by CATA Center for Theater Anthropology of Argentina and the traveling headquarters of the Fondazione Barba Varley, taught by Eugenio Barba, Julia Varley and Ana Woolf. Nov 2023, Arroyo Leyes, Santa Fe, ARG.
    In summer I shared workshops in Neuquén/Río Negro (Patagonia argentina) of Ancestral Performing Arts in Corazón del Tiempo. The workshops included a sign language interpreter for inclusive theater.
    I continued with the art proyect Bestia Maleza, perfopoetry and live arts.
    I participated in the LAT (Laboratory of Theatrical Anthropology) organized by Ana Woolf and CATA (Center for Theatrical Anthropology of Argentina), in Santa Fe, Arg.